Seuls: Short Work 1’

With Seuls: Singular moments from Belgian film history, the online film platform Sabzian brings film programmes to the screen linked to the release of a unique selection of text material on its website Sabzian.beSeuls: Short Work 1’ is an adaptation of the first Seuls programme, organised by Sabzian in 2017 and screened at the KASKcinema in Ghent.

Seuls: Short Work 1’ reflects the diversity of Belgian cinema. Filmmaker, cinema and Zen teacher Konrad Maquestieau once typified Belgian cinema anti-conformist: “This country harbours a tradition in which individuals, completely unrelated to each other, manage to make films in the most idiosyncratic way. Films that do not conform to any norm, regulation, school, fashion or theory. Their images are unique. The 'tradition' is characterised by independence, diversity, subjectivity, daring, inventiveness, audacity, and humorous subversion. Here, the inexhaustible imagination is central.” The name Seuls ties in with this; it brings into focus a film culture consisting of a kinship between soloists who explore all possible mechanisms of imagination.

Price
Prijs
Prix
€ 3,5 for a three day period
€ 3,5 voor een huurperiode van 3 dagen
€ 3,5 pour une période de location de 3 jours
Language
Taal
Langue
Dutch, French, Italian, Silent film
Subtitles
Ondertitels
Sous-titres
Dutch, English, French
Only available in
Enkel beschikbaar in
Disponible uniquement en
Belgium, Luxembourg, Netherlands
Duration
Duur
Durée
75'
Images d'Ostende (Henri Storck, 1929)
Henri Storck,

An impressionistic composition filmed in Ostend. The viewer’s gaze is guided by sensual impressions in which the light, compositions, textures and rhythms of the water, the sand and the waves become filmic elements themselves.

Images d'Ostende (Henri Storck, 1929)
Henri Storck,

An impressionistic composition filmed in Ostend. The viewer’s gaze is guided by sensual impressions in which the light, compositions, textures and rhythms of the water, the sand and the waves become filmic elements themselves.

Dimanche (Edmond Bernhard, 1963)

A Sunday in Brussels. The guard is changing, children are playing and people are visiting Cinema Aventure. A short film about boredom that manages to sublimate the everyday, without commentary and usage of exceptional images.

Dimanche (Edmond Bernhard, 1963)

A Sunday in Brussels. The guard is changing, children are playing and people are visiting Cinema Aventure. A short film about boredom that manages to sublimate the everyday, without commentary and usage of exceptional images.

White Flame (Charles Dekeukeleire, 1930)

Filmed during an actual political demonstration at the foot of the Yser Tower, a young man commits an act of rebellion, after which this experimental short film develops into a cinematographic reflection on the concept of repression.

White Flame (Charles Dekeukeleire, 1930)

Filmed during an actual political demonstration at the foot of the Yser Tower, a young man commits an act of rebellion, after which this experimental short film develops into a cinematographic reflection on the concept of repression.

Lettre à Jean Rouch (Eric Pauwels, 1992)
Eric Pauwels,

An epistolary film, addressed to filmmaker and anthropologist Jean Rouch, founder of the cinéma vérité genre. In his honour, Eric Pauwels directed this film touching the very essence of cinema and life.

Lettre à Jean Rouch (Eric Pauwels, 1992)
Eric Pauwels,

An epistolary film, addressed to filmmaker and anthropologist Jean Rouch, founder of the cinéma vérité genre. In his honour, Eric Pauwels directed this film touching the very essence of cinema and life.