Earlier this year, Avila and Sabzian presented a unique cinema concert at Bozar. Pianist Seppe Gebruers accompanied Charles Dekeukeleire's avant-garde masterpiece live on two grand pianos. The recording of this concert is now available online.
Avila offers a curated collection of contemporary and classical Belgian cinema, both online and in theaters — films with their own unique worldview, made by directors with a bold cinematic signature.
Stream more than 100 contemporary and classical films and documentaries from Belgium. Discover the online catalogue here.
CINEMATEK and L’Immagine Ritrovata have restored Chantal Akerman’s offbeat musical Golden Eighties. After touring around Belgium as part of the launch of Avila, present!, the new restored version is now available to stream on Avila.
Discover Avila's free online film catalogue for public library users in Schaerbeek, Puurs-Sint-Amands, Herentals and Muntpunt Brussels.
Sign up for a (sponsor) subscription and get unlimited access to more than 100 Belgian films online on Avila’s streaming platform.
Every season. A unique Belgian film. On the big screen near you.
Discover challenging, thought-provoking and surprising homegrown auteur films on the big screen. Avila, present! offers a brand new and diverse program of unique Belgian cinema. This fall, Avila, present! brings to the big screen the stylized big city lyric Seagulls Die in the Harbour by Rik Kuypers, Ivo Michiels and Roland Verhavert.
A poetic essay film on the colonial gaze and the magic lantern. This early type of image projector was used in Belgian colonial propaganda, showcasing the good works of the Church, State and industry.
A cinematographic adaptation of the 1983 performance of the same name by dance company Rosas, which weaves together architecture, music and movement in a compelling and meticulous way.
Twenty years after the eponymous choreography that put dance company Rosas on the map, the performance was adapted to film. The dance film explores the relationship between movement, music and image, creating a unique and immersive cinematic experience.
A poetic portrait of Giorgi Shakhsuvarian, an Armenian boxing coach from Tbilisi. While working and living in Belgium, he prepares a young boxer for his European championship. The film melds a sense of distance, the floating experience of time and space, and the choreography of boxing.
On their way to the United Kingdom, a group of Indian refugees get stuck in the hermetic non-zones bordering the recreational community of Zeebruges, a Belgian seashore town. In their company we slowly lose all sense of time and place.
Anna, a Belgian filmmaker, travels through northwestern Europe to promote her latest film. Her temporary stops and fleeting encounters paint a portrait of a young woman.
This collection is presented on the occasion of the exhibition Francis Alÿs. The Nature of the Game at WIELS (7 September 2023 to 7 January 2024) and offers a small selection of the artist's extensive video work.
Filmmaker Sanaz Azari learns to read and write in Persian, her native tongue. Gradually, the language lessons on Iranian culture turn into a poetic collage that questions the concept of freedom and the meaning of revolution.
Soy Libre shows Arnaud's insatiable desire for freedom on a nearly ten year long quest, which brings him from Northern France to Spain to Peru.
Leroy’s black-and-white images travel along the banks of the Danube, recounting the history of a disintegrated and devastated Eastern Europe. A film that oscillates between a poetic dream and a historical travelogue.
Only once a year, the original inhabitants of Ma'loul are allowed to return to their Israeli-occupied village. Khleifi documents how the history of this place lives on in the present: in the memories of the old generations and in the imagination of their children.
Lyrically blending both documentary and narrative elements, Khleifi skilfully and lovingly crafts a portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives.
Only once a year, the original inhabitants of Ma'loul are allowed to return to their Israeli-occupied village. Khleifi documents how the history of this place lives on in the present: in the memories of the old generations and in the imagination of their children.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
A poetic essay film on the colonial gaze and the magic lantern. This early type of image projector was used in Belgian colonial propaganda, showcasing the good works of the Church, State and industry.
A homoerotic exploration of beauty to the rhythm of Richard Wagner, Zarah Leander and Sergei Eisenstein. Eric de Kuyper edited film and music clips, with Ulysses’ peregrinations to guide him.
A fictitious nature documentary narrator takes the viewer on a journey meeting Palestinian stone masons, passionate British geologists and people living on the lava fields of Fogo. A hypnotic essay film asking urgent ecological questions.
A fictitious nature documentary narrator takes the viewer on a journey meeting Palestinian stone masons, passionate British geologists and people living on the lava fields of Fogo. A hypnotic essay film asking urgent ecological questions.
A fictitious nature documentary narrator takes the viewer on a journey meeting Palestinian stone masons, passionate British geologists and people living on the lava fields of Fogo. A hypnotic essay film asking urgent ecological questions.
A cinematographic adaptation of the 1983 performance of the same name by dance company Rosas, which weaves together architecture, music and movement in a compelling and meticulous way.
A collective poem about the burning of home countries, about the fire and the smoke of armed conflict. A conversation with five women from different diasporas: about leaving… and (never) arriving. An ode to the displaced woman.
Soy Libre shows Arnaud's insatiable desire for freedom on a nearly ten year long quest, which brings him from Northern France to Spain to Peru.
Caught in a dance, bees recount stories about the world around them. From the smallest cell in a honeycomb to the largest economy in the world, this essayistic nature documentary maps the bonds between man and bee.