Une femme qui part, the third feature film by Ellen Vermeulen, is selected as part of En ville ! Festival's official selection. Marking the premiere of the film, this screening will take place on the 1st of February at Cinema Galeries, and will be followed by a Q&A with Ellen Vermeulen.
Avila offers a curated collection of contemporary and classical Belgian cinema, both online and in theaters — films with their own unique worldview, made by directors with a bold cinematic signature.
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After its world premiere at Locarno Film Festival and Belgian premiere at Film Fest Gent, Kouté vwa by Maxime Jean-Baptiste is selected for En ville ! as part of the international competition. This special screening will take place on the 28th of January 2025 at Cinema Galeries and will be followed by a Q&A with Maxime Jean-Baptiste.
This collection of previously unreleased short films, exploring Brussels neighbourhoods over a period of nearly 60 years, is being released online on the occasion of Mois du Doc.
Discover Avila's free online film catalogue for public library users in Schaerbeek, Puurs-Sint-Amands, Herentals and Muntpunt Brussels.
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Every season. A unique Belgian film. On the big screen near you.
Filmmaker Laure Portier follows her little brother Arnaud for almost ten years in a quest for freedom and identity. After a turbulent childhood, Arnaud must face a predestined fate. A moving, intimate portrait of a struggling soul, exploring family ties and the emancipating power of cinema.
Discover the Brussels garden city of Floréal through the lens of a filmmaker who spent his childhood there. A short film that captures the relationship between architecture and residents as pre-modernist architecture comes to life, supported by rhythmic music
In a quiet Brussels street, two filmmakers film their neighbours, capturing personal stories and everyday secrets right on their doorsteps. An interesting portrait of their diverse city
An old coco merchant is making his way through the bustling market squares of the Marolles neighborhood with a large beverage dispenser on his back, serving licorice lemonade to locals. A precious document of city life in mid-century Brussels.
In different living rooms in Brussels, parents cut their children’s hair. We witness intimate moments between toddlers who resist or completely surrender to the tender ritual and parents who want to succeed in their delicate task.
The Marolles is a playground for kids until one day workmen shake up the neighbourhood. The children declare war on them. A film about Brussels in the 1950s, in collaboration with the inhabitants.
An old coco merchant is making his way through the bustling market squares of the Marolles neighborhood with a large beverage dispenser on his back, serving licorice lemonade to locals. A precious document of city life in mid-century Brussels.
A fictitious nature documentary narrator takes the viewer on a journey meeting Palestinian stone masons, passionate British geologists and people living on the lava fields of Fogo. A hypnotic essay film asking urgent ecological questions.
A fictitious nature documentary narrator takes the viewer on a journey meeting Palestinian stone masons, passionate British geologists and people living on the lava fields of Fogo. A hypnotic essay film asking urgent ecological questions.
A cinematographic adaptation of the 1983 performance of the same name by dance company Rosas, which weaves together architecture, music and movement in a compelling and meticulous way.
Melrick, a thirteen-year-old boy, spends his summer vacation with his grandmother Nicole in Cayenne, Guyana. His desire to learn to play the drum brings back the specter of Lucas, his uncle, also a drummer, who died in tragic conditions eleven years earlier.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
A patient look at the final weeks of rehearsal of Mitten wir im Leben sind, a performance by Anne Teresa De Keersmaeker, her dance company Rosas and cellist Jean-Guihen Queyras, to Bach’s cello suites.
A patient look at the final weeks of rehearsal of Mitten wir im Leben sind, a performance by Anne Teresa De Keersmaeker, her dance company Rosas and cellist Jean-Guihen Queyras, to Bach’s cello suites.
A patient look at the final weeks of rehearsal of Mitten wir im Leben sind, a performance by Anne Teresa De Keersmaeker, her dance company Rosas and cellist Jean-Guihen Queyras, to Bach’s cello suites.
A patient look at the final weeks of rehearsal of Mitten wir im Leben sind, a performance by Anne Teresa De Keersmaeker, her dance company Rosas and cellist Jean-Guihen Queyras, to Bach’s cello suites.
A patient look at the final weeks of rehearsal of Mitten wir im Leben sind, a performance by Anne Teresa De Keersmaeker, her dance company Rosas and cellist Jean-Guihen Queyras, to Bach’s cello suites.
Caught in a dance, bees recount stories about the world around them. From the smallest cell in a honeycomb to the largest economy in the world, this essayistic nature documentary maps the bonds between man and bee.
Only once a year, the original inhabitants of Ma'loul are allowed to return to their Israeli-occupied village. Khleifi documents how the history of this place lives on in the present: in the memories of the old generations and in the imagination of their children.
